Europe is a continent that comprises the westernmost part of Eurasia. Europe is bordered by the Arctic Ocean to the north, the Atlantic Ocean to the west, and the Mediterranean Sea to the south. To the east and southeast, Europe is generally considered as separated from Asia by the watershed divides of the Ural and Caucasus Mountains, the Ural River, the Caspian and Black Seas, and the waterways of the Turkish Straits. Yet the borders of Europe—a concept dating back to classical antiquity—are arbitrary, as the primarily physiographic term "continent" also incorporates cultural and political elements.

A cruise ship or cruise liner is a passenger ship used for pleasure voyages, where the voyage itself and the ship's amenities are a part of the experience, as well as the different destinations along the way. Transportation is not the prime purpose, as cruise ships operate mostly on routes that return passengers to their originating port, so the ports of call are usually in a specified region of a continent. There are even "cruises to nowhere" or "nowhere voyages" where the ship makes 2–3 night round trips without any ports of call. By contrast, dedicated transport oriented ocean liners do "line voyages" and typically transport passengers from one point to another, rather than on round trips. Traditionally, an ocean liner for the transoceanic trade will be built to a higher standard than a typical cruise ship, including high freeboard and stronger plating to withstand rough seas and adverse conditions encountered in the open ocean, such as the North Atlantic. Ocean liners also usually have larger capacities for fuel, victuals, and other stores for consumption on long voyages, compared to dedicated cruise ships. Although often luxurious, ocean liners had characteristics that made them unsuitable for cruising, such as high fuel consumption, deep draught that prevented their entering shallow ports, enclosed weatherproof decks that were not appropriate for tropical weather, and cabins designed to maximize passenger numbers rather than comfort (such as a high proportion of windowless suites). The gradual evolution of passenger ship design from ocean liners to cruise ships has seen passenger cabins shifted from inside the hull to the superstructure with private verandas. The modern cruise ships, while sacrificing qualities of seaworthiness, have added amenities to cater to water tourists, and recent vessels have been described as "balcony-laden floating condominiums"

This is Travel Footage from eight countries. Chile, Bolivia, Peru, Uruguay, Argentina, Vietnam, Cambodia and Thailand.

3 guys, 44 days, 11 countries, 18 flights, 38 thousand miles, an exploding volcano, 2 cameras and almost a terabyte of footage... all to turn 3 ambitious linear concepts based on movement, learning and food ....into 3 beautiful and hopefully compelling short films.....

Come see the world with me. Let's Travel. Shot across 5 weeks, visiting 15 different cities in 10 countries. Canon 5D Mk3, 50mm 1.2, 28mm 2.8 IS Graded in Lightroom 5 with VSCO Film, Cut in FCPX

Over than 3500 km traveled in 20 days, capturing landscapes from the bluish tones of Pamukkale to the warm ones of Cappadocia, the all passing by a great variation of colors, lights and weathers through six other cities.

When we were telling people that, somewhere in the east, there's a stunning postcard looking tropical place, where a deep cowboy culture and exotic asian traditions blend flawlessly, not many of them believed us. We had the chance to be in Masbate for 6 days during the powerful (southern US inspired) Rodeo Festival. An immersive trip made of island hopping, horse riding, food exploring, and most of all, amazing people. Shot with: Sony a7s Canon 600d Gopro Hero 3 DJI Phantom Edited in Adobe After Effects. www.wowtapes.com www.fabioisacyb.org

Moments from a one month trip to Patagonia, Argentina and Chile. Music licensed on Musicbed.

A journey across Australia from an eagle's eye. Featuring animals and landscapes from the deserts to the ocean, including The Kimberley, Arnhem Land, The Pilbara, Cairns to Cape York and a handful of Western Australian Deserts. If you want more nature and wildlife moments - check out our instagram @wildpacificmedia www.instagram.com/wildpacificmedia Cinematography: Nick Robinson, Luke Peterson, Caspar Mazzotti, Cam Batten, Sid Tinney Editor: Caspar Mazzotti Music licensed from Beatbox 'Lumina' by M J Petrie 'Swarm Of Lights' by N Jean, G Felix, S Casais 'Earthrise' by C P Haigh Copyright 2017 Wild Pacific Media www.wildpacificmedia.com

Created entirely with infrared converted cameras, Invisible Oregon is a study of light across time and space. As the sun rises over the State of Oregon infrared light travels across the earth revealing the subtleties of new growth and the dramatic intersection of sky and earth. Witness for the first time this diverse and interconnected landscape rendered from light we can't see with our own eyes. Filmed and Produced By Sam Forencich https://www.samforencich.com/ Sound Design By Travis Forencich Executive Producer: Jeff Frost http://www.jeff-frost.com/ Advising Producer: Michelle Lanier http://www.michellelanier.com/ Ever since my youthful days of “experimentation” I've often wondered about the nature of reality. Those of you that still believe in science understand the limitations of our perceptions, and it's no secret that many creatures exceed our abilities to interpret the world around us. The idea that we have to process the sensory data coming into our brains makes it seem like we are already a step removed from the real world. So what exactly are we missing? What do animals experience that we can't, and how do our human perceptions vary from person to person? While this film does nothing to answer these questions, time-lapse and infrared photography do, in a metaphorical sort of way, extend our sensory abilities so we can imagine a world beyond ours. Ultimately I think this is what draws us to these forms, not to solve the mystery, but to flirt with it's boundaries. Sam Forencich Invisible Oregon was filmed with an infrared converted Nikon D750, and a Canon 5D MarkII Conversions by: Kolari Vision: https://kolarivision.com/ Motion control rig by Dynamic Perception: https://www.dynamicperception.com/ Post production: LRTimelapse: https://lrtimelapse.com/ , Adobe Lightroom 6, Adobe CS6: After Effects, Photoshop, and Premiere Pro